《輕度流亡》邢悅詩卷The Gentle Exile Chinese Poems
2009年澳門詩人邢悅希望為它的詩歌作品以及部分書法作品推出作品集，他邀請MUSE-UM為這本作品集進行設計工作，自此讓我們的設計和澳門獨立文學有了交集。項目包括主體形象識別和書籍設計。項目的設計方向是根據客戶中文詩歌和書法的寫作習慣來安排的，他的書寫均以豎列為主。因此我們選用了橫開頁面來引導對詩歌的閱讀和對書法的欣賞。作品集亦參考了古時文人的書卷和竹簡閱讀習慣，我們嘗試將封面設計在書口上，當書籍卷起時詩集的封面即刻出現，這一想法同時亦呼應了詩集的主題「流亡」。
2009 Elvis Mo asked MUSE-UM to create a collection of his poems and calligraphers. This collection includes visual identity planning and publication design. Since then our design has an intersection with the independent literature which takes root in Macao.
The design direction is basic on Elvis's writing habit in poems and calligraphers. The majority of his works are in a vertical way to write . Then we led the audience to read and enjoy those works by using a horizontal way to spread out the book. The collection also goes through the research of Chinese ancient's reading habits in the bamboo slip. We try to design the cover in the book margin when we roll up the book then the cover appears clearly. At the same time, this design also echoes with the theme, the gentle exile.
2009 Elvis Mo asked MUSE-UM to create a collection of his poems and calligraphers. This collection includes visual identity planning and publication design. Since then our design has an intersection with the independent literature which takes root in Macao.
The design direction is basic on Elvis's writing habit in poems and calligraphers. The majority of his works are in a vertical way to write . Then we led the audience to read and enjoy those works by using a horizontal way to spread out the book. The collection also goes through the research of Chinese ancient's reading habits in the bamboo slip. We try to design the cover in the book margin when we roll up the book then the cover appears clearly. At the same time, this design also echoes with the theme, the gentle exile.